Kansas is an American progressive rock band who became a popular arena rock group in the late 1970s, with hit singles such
as "Carry On Wayward Son" and "Dust in the Wind." Kansas has remained a classic rock radio staple and
a popular touring act in North America and Europe.
1970-1973: Early years
Dave Hope (bass), Phil Ehart (drums), and Kerry Livgren (guitar, and later keyboards) formed the progressive rock group
named Kansas in 1970 in their hometown of Topeka, Kansas, along with vocalist Lynn Meredith from Manhattan, Kansas, keyboardist
Don Montre, keyboardist Dan Wright, and saxophonist Larry Baker.
A year earlier, Lynn Meredith, Don Montre, Dan Wright and Kerry Livgren were performing in a band called The Reasons Why.
After the band changed their name to Saratoga, they started playing Livgren's original material with Scott Kessler playing
bass and Zeke Lowe on drums. In 1970, they changed their name again to Kansas and added band members. This first lineup of
Kansas, which lasted until 1971, when Ehart left for England, is referred to as Kansas I.
Ehart was replaced by Zeke Lowe and later Brad Schulz, Hope was replaced by Rod Mikinski on bass, and Baker was replaced
by John Bolton on saxophone and flute. In the meantime, Ehart and Hope formed a group called White Clover with Robby Steinhardt
(violin, vocals), Steve Walsh (keyboards, vocals) and Rich Williams (guitar). They changed their name to Kansas when they
recruited Livgren from the second Kansas group, which then folded.1 The third line-up of the band, called Kansas III, received
a record deal with Don Kirshner's eponymous label, and they recorded the first Kansas album shortly thereafter.
1974-1979: Rise to national prominence
The debut album, Kansas (#174), which was released in 1974, showcased Kansas' signature mix of guitars, keyboards, vocals,
and Steinhardt's violin style, which merged American-style boogie-rock with complex, symphonic arrangements and changing time
signatures. Their sound bore the marks of late-1960s, early 1970s progressive rock, such as Genesis and Emerson, Lake, and
Palmer. Promotion by Kirshner and touring behind the debut album and its two follow ups, Song for America (#57) and Masque
(#70), increased awareness of Kansas'.
On the strength of the major hit single "Carry On Wayward Son" (#11) the band's fourth album, Leftoverture,
released in 1976, on which Steinhardt added viola and Walsh added vibraphone to their work, (#5), was a hit which garnered
a lot of airplay on the burgeoning AOR radio format. The follow up Point of Know Return (#4), released in 1977, featured the
title track (#28) and "Dust in the Wind" (#6), both hit singles.
Both albums had unique album covers, with Leftoverture featuring a DaVinci-like old man on the cover, and Point of Know
Return depicting a ship teetering over the edge of the world. Both albums have sold over 4 million copies in the USA alone.
Both Carry On Wayward Son and Dust in the Wind were certified Gold singles, selling over one million units each.
During this period, Kansas became an important arena rock act, becoming a major headlining act for several years, and
selling out the largest venues available to rock bands at the time (e.g. New York City's Madison Square Garden). The band
documented this era with its first live recording, 1978's double live album Two For The Show, a snapshot of various performances
from the 1977 and 1978 tours supporting Point Of Know Return.
Kansas self-produced their follow-up to Point Of Know Return. The 1979 album Monolith (#10) featured lyrics influenced
by The Urantia Book and Native American themes. "Kansas" itself is a toponym derived from the Kansa tribe, whose
name is widely believed to mean "People of the South Wind."2 The starkly expressive album cover depicts Plains Indians
in traditional dress and space suit helmets living in a settlement under the ruins of highway overpasses. While the album
produced a top 40 single in "People of the South Wind" (#23), both the band and the label were disappointed in ''Monolith'''s
failure to produce sales or radio airplay close to its two predecessors.
1980-1984: Creative tensions
Kansas' band members began to drift apart in the early 1980s. Kerry Livgren became a born-again Christian, and this was
reflected in his lyrics on the next three albums, beginning with Audio-Visions (#26), and especially on the top 40 single
("Hold On") released from that album. Dave Hope soon converted to Christianity as well. Walsh left to form a new
band, Streets. Walsh was replaced by vocalist John Elefante, also a born-again Christian, who along with his brother Dino,
later became known for producing albums for Christian rock bands Petra, Bride, Rick Cua, and Guardian.
Kansas' first album with Elefante, Vinyl Confessions (#16), released in 1982, was their most successful studio release
since Point of Know Return. The record renewed interest in the group and generated the band's first top twenty hit in several
years with "Play the Game Tonight" (#17). The album's overtly Christian lyrics attracted an entirely new audience
of evangelical Christians, who used lyrics from the record in religious tracts handed out after Kansas concerts. However,
sales of the album fell just shy of gold status, and to this day the album has not been certified gold, unlike all of the
band's prior releases.
By 1983, Kansas had scheduled time to record their next album, but Robby Steinhardt failed to show up to record the album.
Kerry Livgren was holding back some of the more Christian content for his second solo album. Kansas' next release Drastic
Measures (#41) was written mostly by the Elefante brothers, with just three tracks from Livgren, although all three have been
favorites among many fans. The change in musical direction was closer to the sound of 1980's bands Loverboy or Foreigner than
Kansas' earlier work. The first single from the album, Elefante's "Fight Fire With Fire," didn't crack the Top 40
on the Pop Charts, but reached #3 on the then recently created Billboard Mainstream Rock Chart, making the highest chart position
of any Kansas release on any chart.
Livgren had always felt pressure from the music industry to produce more commercially viable material, and ironically
such attempts always led to commercial failure, while their most successful material was never intended as hits. But the band's
new direction did seem more commercially directed on Drastic Measures, and this was reflected in the lyrics of "Mainstream,"
a criticism of the dominant mindset within the music industry, which ironically the very album it was on was coming closer
During the Elefante years, Livgren and Hope had been feeling more distant, and Livgren was becoming increasingly uncomfortable
with Kansas representing his Christian worldview. After a final New Years' Eve performance on December 31, 1983, Livgren and
Hope left to form AD with former Bloodrock member Warren Ham, who had toured with Kansas in 1982, and Michael Gleason, who
had toured with Kansas in 1983. They were joined by drummer Dennis Holt. Elefante, Ehart, and Williams sought to continue,
as demonstrated by their recording of one more song ("Perfect Lover") which would appear on 1984's retrospective
The Best of Kansas, but that was the last effort by the band with Elefante, whose main attraction to the band had been Livgren,
and Kansas came to an end later that year. In recent years, Elefante has become a popular contemporary Christian music singer
and has never again performed with Kansas in any of its reconstituted lineups.
1985-present: Reformation and touring
In 1985, the band came back together with Walsh but without Livgren, Hope, and Steinhardt. They released Power in 1986
with new bassist Billy Greer (whom Walsh had worked with in Streets), guitarist Steve Morse (formerly of the Dixie Dregs,
who has since gone on to rejoin that band and has been a member of Deep Purple since the mid-1990's) and, notably, no violin
player (though in concert, Morse would perform the solo on "Dust in the Wind" on a violin). "All I Wanted,"
from Power became the last Kansas single to hit the Billboard Magazine Top 20 charts. 1988 saw the release of this lineup's
second album, In the Spirit of Things, a favorite of several band members but a commercial failure. Morse left the band at
the end of this tour. The band made promotional videos for a number of songs during this era, several of which received regular
play on MTV.
In 1990, a German promoter arranged to reunite all the original members of Kansas III except Steinhardt for a European
tour. Greer joined them, along with keyboardist Greg Robert, who had been touring with them in the Steve Morse years. At the
end of the tour, Hope left again but Livgren remained on into 1991, which also saw the return of the violin but this time
in the hands of David Ragsdale. Livgren left during the 1991 tour, to be replaced temporarily by Steve Morse again. After
the tour, Morse left, saying that David Ragsdale could cover the extra guitar parts, leaving Rich Williams as the primary
guitar player. The resulting lineup of Ehart, Greer, Ragsdale, Robert, Walsh, Williams lasted from 1992 through 1997. This
period saw one live album and videocassette, Live at the Whisky, in 1992, and the 1995 Freaks of Nature.
In 1997, Robert and Ragsdale left the band, and Robby Steinhardt returned. The following year they recorded Always Never
the Same with the London Symphony Orchestra as a sixth band member, featuring mostly older songs alongside a few new ones
and one cover (Eleanor Rigby by The Beatles). Kansas has continued to tour, but the band has never been able to regain mass
popularity or critical notice despite the media attention generated by the reunion album Somewhere to Elsewhere, an album
that featured all original members of Kansas III plus Greer, with all songs written by Livgren. The album sold well on the
Internet when it was first released, charting at Number 13 on the Billboard Internet album chart its first week.
In 2000 Kansas toured as opening act support of Yes during their "Masterworks" tour. In 2002, Kansas II, the
Kansas lineup before the group that recorded the first album, released an album of demos and live material they had recorded
from 1971-1973. For legal reasons and a desire not to ride on the success of Kansas III, they decided to use the name Proto-Kaw.
This led to a new album by most of the Kansas II members called Before Became After in 2004 and simultaneous tours by both
Kansas groups. Proto-Kaw released a third album in 2006, entitled The Wait of Glory.
Kansas toured again in 2006. The tour was delayed for a few weeks in connection with the announcement that original violinist
and secondary lead singer Robby Steinhardt had left the band. He had left in 1983 but returned in 1997. Robby was a central
part of the band's live shows, acting as the emcee during both tenures with the band. David Ragsdale has subsequently returned
to the lineup at violin. The band is on tour again in 2007. As announced on the Kansas website, four of the five members of
the current Kansas lineup (Phil Ehart, David Ragsdale, Richard Williams and Billy Greer) have formed a recording project entitled
Native Window. The lineup (featuring Greer on lead vocals) is recording an album throughout Summer 2007, with plans to release
in Spring 2008.
With classic rock continuing to be a strong genre of music, Kansas's influence has continued to inspire bands. "Carry
On Wayward Son" has been covered by bands such as Rachel Rachel, Critical Mass, Dream Theater, The Showdown, Yngwie J.
Malmsteen, and even country superstars The Oak Ridge Boys. The song has appeared on album soundtracks for the movies Heroes
and Anchorman (where it is featured as the ending credits song). "Carry On Wayward Son" is also featured in Guitar
Hero II. It is an encore song in the setlist.
Progressive metal band Vanden Plas has covered Kansas, making a somewhat heavier cover of "Point of Know Return."
The band's biggest single, "Dust in the Wind," has gained some recent acclaim, being used in Bill and Ted's Excellent
Adventure, a Subaru commercial, and in the film Old School. It was also prominently featured in several episodes of the television
The single was certified Gold as a digital download by the RIAA in 2005, almost 30 years after it sold 1 million copies
as a single. "Dust in the Wind" has been covered by Sarah Brightman, the German rock band Scorpions (during their
2001 acoustic album Acoustica), Christian artists Billy Smiley and Acappella and by former New York Yankees center fielder
and aspiring jazz guitarist Bernie Williams on his 2004 debut album The Journey Within.
In 2006, ex-kansas lead singer John Elefante also covered "Dust in the Wind" as a single.